Perhaps the most prolific post-impressionist painter of all time, Vincent Van Gogh
gave us his mind, his heart, his soul, and, most notably, his ear. His works are probably better known generally than those of any other painter in history. His masterpieces have graced art lovers' walls for nearly 150 years. Starry Night by Vincent Van Gogh
is a primary example of one of his post-Impressionism masterpieces.
Born in 1853, Van Gogh was the son of a Dutch Protestant minister. Early in his life, he possessed a moody temperament that would later haunt him in his efforts to become a successful artist. His brief and turbulent life is thought to epitomize the mad genius legend. His difficult and contradictory personality was rejected by the women loved, and his few friendships usually ended in bitter arguments.
Strangely, van Gogh's life had very little to do with paintings. By the age of 27 he had been a salesman in an art gallery, a French tutor, a theological student and an evangelical minister. It was not until 10 years before his death that he decided to pick up a brush. His early work, the Dutch period of 1880-85, consists of dark greenish-brown, heavily painted studies of peasants and miners
. By 1888, after working under Pisarro, Van Gogh began experimenting with a brighter range of colors that are characteristic of many of his later Impressionist paintings.
In 1888, in ill health, Van Gogh moved to Arles with Gauguin
for a brief period for release from Paris. At Arles, fraught with internal tension, Van Gogh mutilated his left ear in the course of his first attack of dementia. His paintings from this period include the incomparable series of sunflowers: Two Sunflowers
, Vase with Twelve Sunflowers
, Four Cut Sunflowers
Dr. Jan Hulsker, one of the world's foremost scholars of Vincent van Gogh, suggests that the sunflower series "perhaps more than any other of his oil paintings, have made him known throughout the world. They are often the only works with which he is identified." In recent years a great deal of attention has been devoted to the authenticity of some of the sunflower paintings (namely, the Yasuda version). Most experts, however, have come to the conclusion that the Yasuda work is genuine. Unfortunately the arguments about authenticity have detracted from more critical and analytical studies of the works themselves--involved critical commentary of the sunflower series is surprisingly difficult to find. Overall, Jan Hulsker's observation of the sunflower series truly mirrors Vincent's own--they would indeed prove to be the works that Vincent is best beloved for.
Van Gogh once said in a letter to his brother, Theo in 1889, "You may know that the peony is Jeannin's, the hollyhock belongs to Quost, but the sunflower is mine in a way."
Vincent van Gogh's time in Arles, France
was a pivotal point in his life. After years of study and struggle Vincent moved to the south in an attempt to further explore his art. Many of Van Gogh's most renowned works originated in Arles. And yet, at the period in which Vincent was at his most productive, he was alone. Called "fou-rou"(crazy red-head) by many of the townspeople of Arles, Vincent was often viewed with suspicion and scorn. A number of Vincent's letters to his brother, Theo, reflect his isolation and his loneliness.
And yet one family welcomed Vincent and encouraged his work. In many respects, the Roulin family were Vincent's only friends in Arles. Always challenged to find willing subjects for his portraits, Vincent found the Roulins to be extremely accommodating and patient. In total, Van Gogh painted or sketched 25 works of the Roulin family, including one of Augustine Roulin. Thanks to the old postman, Joseph Roulin, and his family--to their kindness toward this eccentric and troubled painter--Vincent was able to produce some of his most beloved works.
During Van Gogh's period of illness he was confined first to the Arles hospital, then to the asylum at Saint-Remy, where, in 1889, he painted the swirling, climactic Starry Night
. Starry Night
is probably Vincent Van Gogh's most famous painting. Instantly recognizable because of its unique style, this work has been the subject of poetry, fiction, CD-ROMs as well as the well known song "Vincent" or "Starry, Starry Night" by Don McLean.
While there's no denying the popularity of Starry Night
by Vincent Van Gogh, it's also interesting to note that there is very little known about Vincent's own feelings toward his work. This is mainly due to the fact that he only mentions it in his letters to Theo twice, and then only in passing. In his correspondence with his brother, Vincent would often discuss specific works in great detail, but not so in the case of Starry Night
. Why? It's difficult to say.
Some people have made stylistic comparisons to Vincent's other well-known and equally turbulent Seascape At Saintes-Maries-De-La-Mer
. Does the tumultuous style of these works reflect a tortured mind? Or is there something more we can read within the whorls Vincent's raging night sky? This is what makes Starry Night
not only Vincent Van Gogh's most famous work, but also one of its most frequently interpreted in terms of its meaning and importance.
Some people have speculated about the eleven stars in the painting. While it's true that Vincent didn't have the same religious fervor in 1889, when he painted the work, as he did in his earlier years, there is a possibility that the story of Joseph in the Old Testament may have had an influence on the composition of the work.
'Look, I have had another dream' he said, 'I thought I saw the sun, the moon and eleven stars, bowing to me.'
Whatever the interpretations or underlying meanings, Starry Night
stands out as one of the most important works of art produced in the nineteenth century. After painting Wheatfields With Crows during the last three months of his life in 1890, Van Gogh's work began projecting ominous overtones of distress. Two days later, he shot himself, dying in the arms of his brother shortly after.
Some of Van Gogh's other notable paintings include, The Seine Bridge at Asnieres
, Old Man With His Head In His Hands
and The Reaper